In the context of RE-Perspective Deborah Hay
Duration 50 Min
After years of working mostly with untrained performers, in 2004 Deborah Hay created a quartet for four experienced dancers – challenging them to more subtle instances of movement and performance. Hay is convinced that choreography doesn’t have to arise from particular forms of movement training, but from the intelligence of the whole body, and in “The Match” she composes simple or impossible actions to create an unusual dance. For this “wondrously strange and impermanent meditation on disintegration”, according to a panel of judges, she received the New York City Bessie Award. Cullberg has now adapted this important piece.
from 21:00 to 21:50 Radialsystem
from 17:00 to 17:50 Radialsystem
Notes: Free Shuttle Transfer to Merce Cunningham Centennial: Berlin (Volksbühne Berlin) available after the performance
Freedom of movement to all of the rooms (with exception of the deck) is guaranteed. There is a barrier-free restroom in the foyer, and directly in front of the entrance of the building are barrier-free parking spaces.
Information about the venue's accessibility can be found here (in German).
