Ayelen Parolin / RUDA
WEG
6.8., 18:00 | Festival opening
7.8. | Meet the Artist | Following the performance
Duration 60 min
6.+7.8. | Bus Shuttle | Anne Nguyen / par Terre Dance Company: “Underdogs” | Freilichtbühne Weißensee
The bus is free of charge and departs from the venue exit after the performance. There is no need to book.
In “WEG” Argentinian choreographer Ayelen Parolin instantiates a kaleidoscopic landscape of shapeshifting identities. Seven dancers, accompanied by pianist Lea Petra, navigate eclectic pathways, shaking through multiple movement repertoires while seeking the undercover animal in the human. Drawing from physicist Pierre C. Dauby’s research on dynamic systems, Parolin creates a tumultuous polyphony in which uncontrollable tremors take hold of the dancers and instability is met with extravagance.
German Premiere
Credits
Production: RUDA asbl, DC&J Création. Co-production: Tanz im August / HAU Hebbel am Ufer, Charleroi danse, Théâtre de Liège, Atelier de Paris / CDCN, Theater Freiburg. Studios provided by: Charleroi danse / La Raffinerie & Les Écuries, Studio Thor, Pianofabriek. Supported by: Wallonia-Brussels Federation, Wallonie-Bruxelles International, Wallonie-Bruxelles Théâtre / Danse, Tax Shelter der Bundesregierung von Belgien, Inver Tax Shelter und Nationallotterie. Thanks to: Pierre C. Dauby, Sofie Durnez, Catherine Massin.
With the support of Wallonie-Bruxelles International.
Notes:
Due to an extensive PCR testing regime for SARS-CoV-2, the performers can move on stage in this production without minimum distance.
Past dates
Location
HAU1
Stresemannstr. 29, 10963 BerlinThere are two marked parking spots in front of the building. Access to the Parkett by means of a separate entrance with lift when necessary. Barrier-free restroom facilities are available. Tickets for wheelchair users and accompanying persons can be booked via the ticketing system. If you need any help, please contact our Ticketing & Service team at +49 (0)30 259004-27 or send us an email at
tickets@hebbel-am-ufer.de.
